There is visual evidence of large muscles pulling the chin downward: one in the center pulling vertically downward to the tip of the chinemphasize the downward pull which causes that characteristic U shaped indentation to appear. (Miami, Florida: Summy-Birchard Music, 1956), pp. Keep the center open and flex the chin muscles into a "U" shape. To go higher, squeeze the side muscles of the bottom lip toward the center and allow it to come under the top lip.ĭon't do it like this next picture (Crunch Chin). This has the bottom lip rolled up and inward and the chin muscle crunched upward. This creates a pinched sound and pulls you up and out of the groove. There is no "U" shaped muscle group from the corners to the chin. It closes the center airflow and you lose control of the bottom lip. Your chin should never be soft-Wendell Rider3 James Froseth and Douglas Hill2ĭo this: This shows the "U" shaped chin flexed and inner bottom lip exposed. Place the mouthpiece directly in the center of the lips under the nose. This ensures you benefit from the balanced zipper-like sealing action from the corners to the center. Remember, keep center open while the corners are closed and clamped together.Ģ James O. (Gurnee, Illinois: Windsong Press Limited, 2006), p. 17.Ģa) Flex the bottom lip like you're whistling and place the bottom of the MP on or slightly below the pink lip line. Let the top lip relax in the center so it can buzz freely.
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